11 February 2016

Skandies: #10

Picture: Anomalisa (81/9)
Director: Aleksei German, Hard to Be a God (83/7)
Actress: Brie Larson, Room (103/11)
Actor: Paul Dano, Love & Mercy (110/10)
S. Actor: Nicholas Hoult, Mad Max: Fury Road (81/6)
S. Actress: Lou de Laâge, Breathe (96/7)
Screenplay: Guy Maddin & Evan Johnson & Robert Kotyk, The Forbidden Room (102/8)
Scene: When Yves met Jacques, Saint Laurent (55/4)


Hard to Be a God is German's first (and last) Skandie-eligible film, as Khroustaliov, My Car! was never released in the U.S.

Larson placed 12th two years ago for Short Term 12. Dano finished at #7 in Supporting for There Will Be Blood in 2007. Hoult and De Laâge are new.

Johnson and Kotyk have no previous writing credits, but Maddin previously placed 15th for The Saddest Music in the World (2004, written with George Toles) and 4th for My Winnipeg (2008). 

10 February 2016

Skandies: Best Undistributed Films, 2013

We interrupt the countdown momentarily to spotlight the Undies, which I was once again too busy to deal with during the holidays.

Here, then, are the group's estimation of the best films that premiered during 2013 but failed to secure New York distribution (and hence eligibility for the Skandies proper, which has a two-year window) by the end of 2015. As it happens, fewer and fewer notable films—where "notable" is defined as "made some noise on the fest circuit and were likely to be seen by several voters"—are failing to secure a week-long NYC run. Three years ago we finally hit what I consider a tipping point: Five people who usually vote in this section (out of a pool of only 17) chose to abstain, saying they just hadn't seen enough eligible titles. As a result, a number of films would have cracked the top 20 on the basis of a single vote. So I whittled the list down to just a top 10, and there's been no need to re-expand it since. Indeed, this year one film succeeding in cracking the top 10 with just a single big vote (mine), and the number of voters has now dwindled to the point where I'm seriously considering dispensing with the Undies altogether. It's a good thing, really—in a perfect world, there'd be no need for this category.

As ever, disclaimers abound. While roughly 40 professional and amateur cinéastes vote in the main survey, a smaller subset takes part in what's become known as the Undies—basically the folks who make it out to multiple festivals. (You can find their names way at the bottom.) And of course circumstances dictate that the results will skew in favor of those undistributed films that have been most widely seen, with a particular advantage going to anything that played at Toronto. No doubt many other excellent films were simply not seen by enough people to make the cut; feel free to mention overlooked favorites in the comments.

Alas, I'm too harried at the moment to write up commentary on 10 films, many of which I haven't seen. So I've let various folks who've posted their thoughts on the IMDb or Letterboxd provide a characteristic remark.

NOTE: Several people voted for Jodie Mack's "Dusty Stacks of Mom: The Poster Project"—so many, in fact, allotting so many points, that it would have eked out a narrow victory. When I looked it up to find a poster and a blurb, however, I discovered that it's only 41 minutes long, which makes it a short film according to the Undies/Skandies rules, and hence ineligible. Because I discovered this so late (last night), and because it's incumbent upon the voters to make sure the films they vote for are features (I note the 45-minute rule every year), I'm not gonna go to the trouble of having all of them resubmit ballots. I've simply disqualified "Dusty Stacks" and bumped the next ten films up one rank. But apparently it's worth seeing.

In reverse chrono:

#10 Blind Detective (Johnnie To) 23 pts | 2 votes

"At 130 minutes, Wai Ka-Fai's script takes on more subplots than necessary. The mystery plot had me most engaged, and I liked how the crime-solving plot sprouted in multiple cases. The final reveal seemed rushed and a bit far-fetched to be truly believable. And there were details that should have been caught. The subplot with Andy Lau trying to woo a dance instructor played by Gao Yuan Yuan is cute but extraneous. It's like the filmmakers brainstormed every possible thing for Andy Lau and Sammi Cheng's characters to do, filmed all of them, and couldn't decide what to take out."

#9 Love Is the Perfect Crime (Arnaud & Jean-Marrie Larrieu) 24 pts | 3 votes

"Film is about that walking cliché; the literature professor with the roving eye. And boy! does his eye rove! We see this clearly as he arrives to take his class. Entering this very modern place of learning, we find our very modern professor's eye roving around. Again, this is shown well in the filming. Much of this movie is shot from the professor's POV."

#8 Phil Spector (David Mamet) 28 pts | 1 vote

"I don't know what the negative reviews were looking for, but this is neither biopic nor docudrama. It's pure Mamet, for those who know what that means." [MD'A: I did not write that, but it is 100% accurate.]

#6 (tie) Nobody's Daughter Haewon (Hong Sang-soo) 32 pts | 3 votes

"I got about 15-20 minutes into it before turning it off. The acting was truly terrible, and the whole thing was really off-putting. It's like they grabbed a somewhat-attractive young lady off the street and told her to act. Also the whole thing about how she should try out for Miss Korea (random dialogue, not important to the plot)? Koreans would say she's far too fat, so nobody would ever say this to her in reality."

#6 (tie) Mouton (Gilles Deroo & Marianne Pistone) 32 pts | 3 votes

"Στην αρχή το πηγαινε καλά. Μετά πιο αργά και από το story of my death."

#5 Three Interpretation Exercises (Cristi Puiu) 36 pts | 4 votes

"Pretty much as academic as the title makes it out to be. Puiu was apparently visiting an acting school on Toulouse. He gives the actors a text by Russian writer Vladimir Solovyov and has them write and perform a modern interpretation of the same. So yeah, it's literally what the title suggests which sounds like it could be tedious but it's mostly not. There's a lot of humor and the 'improv' nature of it allows it to breathe and feel alive. My favorite is easily the second segment where they all watch Tropical Malady and diss modern arthouse cinema."

#4 Sorrow and Joy (Nils Malmros) 39 pts | 3 votes

"A lot of sorrow. Some subdued joy."

#3 Our Sunhi (Hong Sang-soo) 42 pts | 4 votes

"Sunhi returns to the film school she graduated from a year before and starts to run into old friends. She's interested in some, others are interested in her. Awkward encounters ensue, heavy drinking and eating chicken. It's a sort of a Rom-Com, but with some kind of Korean twist that I didn't completely understand. The closest comparison is an extended episode of Seinfeld, or perhaps a Woody Allen movie."

#2 Love Battles (Jacques Doillon) 47 pts | 4 votes

"A strange take on the theme of a young woman coping with unresolved issues after her father dies, we somehow end up watching her engage in a series of wrestling matches with a man who lives near her father's home. These fights are staged as some kind of therapy, though of course they turn out to be very sexual. To be honest, I was more interested in ogling Sara Forestier than in contemplating the lengthy conversations outlining the whole psychodrama, so I can't really judge how plausible all this is. But she and Thierrée deserve credit for putting in very physical performances, and the director has created an original erotic scenario."

#1 Club Sandwich (Fernando Eimbcke) 61 pts | 4 votes

"Paloma is not your average single, outgoing and clingy mom, she and her teenage son Hector do just about everything together. While enjoying an offseason vacation at a nearly empty resort, mother and son frolic in the pool, discuss the delicate details of life, and even get critical of each other's attire. Sparks and cat claws fly when a teenage girl named Jazmin gets between Paloma and her baby. This funny as well as visceral, touching and quirky film contains many hilarious scenes. It is also slow-paced and lacking in depth."

THE VOTERS: Mike D'Angelo, Alex Fung, Sky Hirschkron, Don Marks, Theo Panayides, Vadim Rizov, Dan Sallitt, Michael Sicinski, and Blake Williams. (Yes, we're down to only nine, which is why no film received more than four votes.) Thanks to all.

For the record, here are the next 10 films, in alphabetical order. Half of them got only one vote.

Age of Panic (Justine Triet)
Daredevils (Stephanie Barber)
An Episode in the Life of an Iron Picker (Danis Tanovic)
i hate myself :) (Joanna Arnow)
The Major (Yuriy Bykov)
The Oxbow Cure (Yonah Lewis & Calvin Thomas)
See You Tomorrow, Everyone (Yoshihiro Nakamura)
Sentimental Education (Júlio Bressane)
Shield of Straw (Takashi Miike)
Tamako in Moratorium (Nobuhiro Yamashita)


2000: Battle Royale (Kinji Fukasaku)*
2001: Pulse (Kiyoshi Kurosawa)*
2002: Turning Gate (Hong Sang-soo)
2003: Not on the Lips (Alain Resnais)
2004: The 10th District Court—Moments of Trial (Raymond Depardon)
2005: Tale of Cinema (Hong Sang-soo)
2006: Taxidermia (György Pálfi)*
2007: Secret Sunshine (Lee Chang-dong)*
2008: Just Anybody (Jacques Doillon)
2009: Face (Tsai Ming-liang)
2010: Hahaha (Hong Sang-soo)
2011: Dreileben: Beats Being Dead (Christian Petzold)
2012: Eat Sleep Die (Gabriela Pichler)

* (released commercially after the window of eligibility had closed)

Skandies: #11

Picture: Brooklyn (77/6)
Director: Michael Mann, Blackhat (73/5)
Actress: Sarah Snook, Predestination (91/8)
Actor: Ben Mendelsohn, Mississippi Grind (106/10)
S. Actor: Mark Ruffalo, Spotlight (74/6)
S. Actress: Tessa Thompson, Creed (82/10)
Screenplay: Christian Petzold, Phoenix (99/12)
Scene: Bear attack, The Revenant (53/6)


Mann previously placed 15th for The Insider in 1999, 8th for Ali in 2001, and 9th for Miami Vice in 2006. That makes four times he's made the Director list for films that failed to make the cut in Best Picture. Twice (in 2001 and 2006) he's been the highest-ranked director whose film didn't make Best Picture. He's only the second-highest such instance this year, however.

Former Skandie winner Ruffalo, to my surprise (he gives the weakest performance among Spotlight's ensemble, if you ask me, but his 12-point average suggests that some folks were mightily impressed), makes his eighth appearance in the top 20. In addition to winning Best Actor in 2000 for You Can Count on Me, Ruffalo has placed six previous times in Supporting: 19th for 13 Going on 30 (2004), 12th for Zodiac (2007), 6th for The Kids Are All Right (2010), 8th for Shutter Island (also 2010), 19th again for Margaret (2011), and 5th last year for Foxcatcher. Mendelsohn previously placed 13th in Supporting for Animal Kingdom (2010). Both women are new.

Petzold's screenplays for Yella, Jerichow, and Barbara failed to place.

09 February 2016

Skandies: #12

Picture: Sicario (75/8)
Director: David Robert Mitchell, It Follows (64/8)
Actress: Emily Blunt, Sicario (80/11)
Actor: Matt Damon, The Martian (85/8)
S. Actor: Tom Noonan, Anomalisa (67/5)
S. Actress: Rose Byrne, Spy (81/7)
Screenplay: S. Craig Zahler, Bone Tomahawk (95/10)
Scene: "Drift Away," Ricki and the Flash (52/4)


Mitchell didn't make the cut for The Myth of the American Sleepover.

Blunt makes her sixth appearance in the top 20, but her first appearance in the lead category. In Supporting, she's placed 10th  for My Summer of Love (2005), 4th for The Devil Wears Prada (2006), 10th again for Looper (2012), 10th yet again for Edge of Tomorrow (2014), and 20th for Into the Woods (2014). Damon likewise now has six total nods; previously, he's finished at #20 (Good Will Hunting, 1997), #9 (The Talented Mr. Ripley, 1999), #15 (The Departed, 2006), #4 (The Informant!, 2009), and #3s (True Grit, 2010). Noonan and Byrne are new.

Zahler's screenplay for Asylum Blackout did not place, shockingly.

08 February 2016

Skandies: #13

Picture: Saint Laurent (69/5)
Director: Lisandro Alonso, Jauja (59/7)
Actress: Juliette Binoche, Clouds of Sils Maria (77/11)
Actor: Tom Hanks, Bridge of Spies (84/10)
S. Actor: Joel Potrykus, Buzzard (65/7)
S. Actress: Jessica Chastain, Crimson Peak (72/9)
Screenplay: Nick Hornby, Brooklyn (78/8)
Scene: Hotel sex, Anomalisa (50/6)

Zero chance of finding that scene on the Internet (at least right now).


This is Alonso's first appearance. 

Binoche gets her eighth career Skandies nod (and her third specifically at #13). The breakdown:

3. Certified Copy (2011)

5. Flight of the Red Balloon (2008)
6s. The English Patient (1996)
11. Caché (Hidden) (2005)
13s. Code Unknown (2001)
13s. Summer Hours (2009)

17. Camille Claudel 1915 (2013)

Hanks, whose glory days were mostly pre-Skandies, has now made the roster five times; he previously placed 20th in 1998 for Saving Private Ryan, 6th in 2000 for Cast Away, 14th in 2004 for The Ladykillers, and 6th again two years ago for Captain Phillips. Chastain came in at both #7 and #8 in Supporting in 2011 (for Take Shelter and The Tree of Life, respectively), and placed 5th in the lead category the following year for Zero Dark Thirty. Potrykus is new.

Hornby, I had forgotten, didn't actually write the adaptations of High Fidelity and About a Boy. His only previous screenplay that might conceivably have made the cut—but did not—was for An Education.

07 February 2016

Skandies: #14

Picture: Experimenter: The Stanley Milgram Story (65/6)
Director: Christian Petzold, Phoenix (55/6)
Actress: Bel Powley, The Diary of a Teenage Girl (71/9)
Actor: Jason Bateman, The Gift (80/6)
S. Actor: Joe Manganiello, Magic Mike XXL (61/6)
S. Actress: Chiara D'Anna, The Duke of Burgundy (59/4)
Screenplay: George Miller and Brendan McCarthy and Nico Lathouris, Mad Max: Fury Road (72/6)
Scene: Driving to Carol's house, Carol (50/5)

From what I can tell, every scene from Carol is online except this one.


This is Petzold's first appearance, though his contribution to the Dreileben triptych won the Undies two years ago.

All the actors are new.

Miller's screenplay for Babe: Pig in the City (written with Judy Morris and Mark Lamprell) placed 18th in 1998. First writing credit for both McCarthy and Lathouris.

06 February 2016

Skandies: #15

Picture: It Follows (60/8)
Director: Pedro Costa, Horse Money (53/4)
Actress: Ronit Elkabetz, Gett: The Trial of Viviane Amsalem (69/7)
Actor: Gaspard Ulliel, Saint Laurent (75/6)
S. Actor: Simon Abkarian, Gett: The Trial of Viviane Amsalem (54/5)
S. Actress: Suzanne Clément, Mommy (56/9)
Screenplay: Charles Randolph and Adam McKay, The Big Short (69/6)
Scene (tie for #14): Anniversary party, 45 Years (50/5)

(Lots of clips from 45 Years on the Internet, but none at all from the ending.)


This is Costa's first appearance.

Elkabetz gets her first nod since placing 6th in Supporting for Late Marriage back in 2002. Clément finished 6th in the lead category for Dolan's Laurence Anyways two years ago. Both men are new.

Charles Randolph previously wrote The Life of David Gale, The Interpreter, and Love & Other Drugs, which (a) explains a lot in my opinion and (b) means he has never previously landed in the top 20. Nor has McKay for any of his Will Ferrell comedies.